CANNES 2021: The Worst Person in the World
The Worst Person In the World will stand as a masterwork in Joachim Trier’s filmography
CANNES 2021: La Civil
La Civil is a fantastic, emotionally brooding piece of drama
Cannes 2021: Cow
With no sincere substance and an outrageous running time of ninety-three minutes, Cow is a self-indulgent bore
Cannes 2021: Women Do Cry
A harrowing and often dark social call for change and understanding of the aids crisis and women's rights in Bulgaria
CANNES 2021: The Braves ‘Entre les vagues’
The Braves is one of Cannes' most emotionally devastating and enlightening dramas in 2021
CANNES 2021: Bloody Oranges “Oranges sanguines”
Bloody Oranges completely misses the mark and enters into a territory so foul and incendiary it should be avoided at all costs
CANNES 2021: House Arrest (Дело)
Excels in showcasing its themes and the strong central performance of lead actor Merab Ninidze
CANNES 2021: A Chiara
A Chiara is a spectacular feature that is undeniably one to watch
SXSW 2021: Fruits of Labor
Fruits of Labor is an emotionally swirling and poignant feature
BERLINALE 2021 - Стоп-Земля (Stop-Zemlia)
Stop-Zemlia is as close as the teenage experience through narrative form as any audience will see
BERLINALE 2021 - Tabija (The White Fortress)
The White Fortress is a grounded, emotionally immersive, and tender depiction of love
Great White
Great White offered hopes of an intimate horror that did not overly set its sights on the shark, but the question on the human morality
Mainstream
Coppola's feature is not only thematically fascinating but it is expertly crafted
The Conjuring: The Devil Made Me Do It
The Conjuring: The Devil Made Me Do It offers a very intriguing analysis of what may be yet to come, for better or worse
In the Earth
For what could be the last time, Wheatley returns to his roots with the top-secret and instant classic horror
Jayne Wisener: “I have always jumped at every opportunity to work in Northern Ireland'“
As supernatural horror film The Heiress goes on digital release from March 15, lead actress Jayne Wiseman talks about her love of singing, coping with lockdown and her new period drama, Glow & Darkness
Chris Bell: “I mean can you think of another job where you can go to work and cry, laugh and be whoever the hell you want to be for that split second?”
Ahead of the release of THE HEIRESS, director Chris Bell talks about familial horror influences, his South London ‘hooligangster’ phase and learning new lockdown skills
BERLINALE 2021 - Moon, 66 Questions
By providing a strong style with significant substance, Lentzou portrays an honest and stunning portrait of a broken family
Candis Nergaard: “It’s rare for me to be scared by horror but the script alone conjured such vivid imagery that I was haunted by it”
Candis Nergaard talks about missing the gym, her cinematic idols, going method, and starring in her latest film The Heiress
Kyle Rankin: “ Filmmaking can’t just be ‘here, eat your broccoli.’ Movies should be fun AND have a reason to exist”
RUN HIDE FIGHT is showing on demand between Friday 5th & Monday 8th of March, as part of the Arrow Video FrightFest Glasgow 2021 Digital event