NIGHTSTREAM 2020: An Unquiet Grave
An intriguing premise and two decent performances fall prey to a script that ultimately falls short
Mafia Inc.
Possibly the world’s first French Canadian Italian gangster movie is finally here
GRIMMFEST 2020: Death Ranch
Death Ranch is a tasteful love letter to the blaxploitation genre
SITGES 2020: Clapboard Jungle
McConnell delivers a documentary that really isn’t that interesting
GRIMMFEST 2020: Ten Minutes to Midnight
Ten Minutes to Midnight really is worth a watch
LFF 2020: Stray
One of the most stunning fly-on-the-wall documentaries ever made
On the Rocks
It’s hard to tell exactly what Coppola is going for with On The Rocks, but the end result is still charming and enjoyably entertaining
SITGES 2020: For the Sake of Vicious
For the Sake of Vicious seeks to subvert the genre to some degree and offers plenty of blood and gore
The Curse of Audrey Earnshaw
Thomas Robert Lee shows real craft and care with The Curse of Audrey Earnshaw
Saint Maud
One of Saint Maud’s greatest successes lies within its ambiguity
Ava
Disgustingly lacklustre and off genre, this action thriller has dull action and zero thrills
Secret Society of Second-Born Royals
Secret Society of Second Born Royals has just enough charm in the form of lead Peyton Elizabeth Lee that it’s certainly not a chore to watch
LA BELLE NOISEUSE: Painting Through the Art of Cinema
In his first essay, Oliver Swift explores the seduction and beauty found in Jacques Rivette’s LA BELLE NOISEUSE