Jakub Flasz 10/15/20 Jakub Flasz 10/15/20

LFF 2020: After Love

After Love builds a narrative similarly to how Rachel Green made a Thanksgiving trifle in a classic episode of Friends

George Lewis 10/14/20 George Lewis 10/14/20

LFF 2020: Farewell Amor

Msangi doesn’t quite pinpoint the personal exchanges in American society, she does capture New York’s vibrancy and energy

Oliver Swift 10/14/20 Oliver Swift 10/14/20

GRIMMFEST 2020: An Ideal Host

An Ideal Host proves a thoroughly entertaining ride

Oliver Swift 10/14/20 Oliver Swift 10/14/20

GRIMMFEST 2020: The Special

The Special is a unique experience

Jak Luke Sharp 10/14/20 Jak Luke Sharp 10/14/20

LFF 2020: Honeymood

Honeymood proposes nothing substantial to be enraptured by its narrative or remarks

Oliver Swift 10/14/20 Oliver Swift 10/14/20

NIGHTSTREAM 2020: Bleed With Me

Moses’ greatest promise as a director comes from dragging overused horror film iconography out of the dust and giving it a little shake up

Carson Timar 10/14/20 Carson Timar 10/14/20

NYFF 2020: French Exit

French Exit is one of the most confusingly captivating films in recent memory

Oliver Swift 10/14/20 Oliver Swift 10/14/20

LFF 2020: Genus Pan

Lav Diaz adapts some semblance of a plot into, ironically, his shortest film in nearly a decade

Oliver Swift 10/13/20 Oliver Swift 10/13/20

LFF 2020: 200 Meters

Ameen Nayfeh crafts what is essentially a Middle Eastern political thriller road movie for his feature debut, 200 Metres

George Lewis 10/13/20 George Lewis 10/13/20

LFF 2020: Eyimofe (This Is My Desire)

Delicate furnishings in an empathetic, meditative tale of longing and despair

Jak Luke Sharp 10/13/20 Jak Luke Sharp 10/13/20

LFF 2020: One Night In Miami

For a directorial debut, this is nothing short of excellent from Regina King

Oliver Swift 10/13/20 Oliver Swift 10/13/20

NIGHTSTREAM: My Heart Can’t Beat Unless You Tell It To

A tight feature that oozes drama, looks stunning and confronts genuine familial and moral struggles

Oliver Swift 10/13/20 Oliver Swift 10/13/20

NIGHTSTREAM 2020: An Unquiet Grave

An intriguing premise and two decent performances fall prey to a script that ultimately falls short

Jakub Flasz 10/13/20 Jakub Flasz 10/13/20

LFF 2020: 180° Rule

If this is her opening right hook, there is a championship belt in Farnoosh Samadi’s future

Alexander Holmes 10/12/20 Alexander Holmes 10/12/20

NIGHTSTREAM 2020: The Night

The Night is a disturbing trip into the surreal, the unknown and the frighteningly real

George Lewis 10/12/20 George Lewis 10/12/20

LFF 2020: Shadow Country

Hindsight is the thread that runs through Shadow Country

Jakub Flasz 10/12/20 Jakub Flasz 10/12/20

LFF 2020: Kajillionaire

Without a shadow of a doubt, Kajillionaire is something special

Guest User 10/12/20 Guest User 10/12/20

NYFF 2020: The Human Voice

The Human Voice is a brilliantly-told reflection of our deepest fears and insecurities

Kyle Gaffney 10/12/20 Kyle Gaffney 10/12/20

LFF 2020: Bloody Nose, Empty Pocket

Bloody Nose, Empty Pockets is the best kind of cinematic escapism

Oliver Swift 10/11/20 Oliver Swift 10/11/20

GRIMMFEST 2020: Death Ranch

Death Ranch is a tasteful love letter to the blaxploitation genre