CIFF 2020: True Mothers
True Mothers fails to make the most of it’s emotional plot
AFI FEST 2020: I’m Your Woman
I’m Your Woman is yet another strong example of Julia Hart’s skill and range as a filmmaker
LFF 2020: A Common Crime
A Common Crime is, rather unwittingly, too passive for its own good
LFF 2020: Possessor
Brandon Cronenberg writes and directs an intriguing deep dive into the ideas of identity and the self
LFF 2020: Ammonite
Ammonite is not the wholly original roar of filmmaking prowess it needs to be, but an ersatz of one.
VIFF 2020: Events Transpiring Before, During, and After a High School Basketball Game
A wonderfully intimate and gleefully brooding pot of a character study
AFI FEST 2020: New Order
New Order comes close to reaching masterpiece level with its impressive blend of style and substance
LFF 2020: Bad Tales
Even if Bad Tales doesn’t fulfil its potential, the atmosphere created is alluring throughout
MFF 2020: Minari
Minari is flawless in every respect
HIFF 2020: Nine Days
Nine Days is something that everybody needs to experience at some point
AFI FEST 2020: Really Love
Really Love might not reinvent the romance genre but is an undeniably strong outing for the genre
LFF 2020: One Man and His Shoes
Akin to a game of basketball, One Man and His Shoes is frantic and enjoyable
LFF 2020: Lovers Rock
Lovers Rock is so culturally Caribbean that West Indians will feel like they’re back on their islands without a care in the world
LFF2020 - Another Round
Another Round is a masterfully made film in every regard
LFF 2020: Rose - A Love Story
Rose - A Love Story can never quite find the balance needed to deliver the tone it aims for
VIFF 2020: Last and First Men
Jóhannsson's directorial debut is nothing short of magnificent within the realm of experimental cinema
NIGHTSTREAM 2020: 32 Malasaña Street
32 Malasaña Street has a lot of solid punches to throw
SQIFF 2020: Scream, Queen! My Nightmare on Elm Street
A consistent and thoroughly rewarding documentary
NYFF 2020: Red, White and Blue
Steve McQueen gives the audience the opportunity to question their views of policing and what it would actually take to change the system
LFF 2020: Supernova
Macqueen proves himself a competent director

