TIFF 2021: All My Puny Sorrows
All My Puny Sorrows tiptoes the line between disheartening family drama and dark comedy
VENICE 2021: Reflection ‘Відблиск’
Reflection dazzles visually and, for some, will undoubtedly hold something quite poignant and stunning in performance
VENICE 2021: White Building ‘Bodeng Sar’
White Building is a film that perfectly, and quite hauntingly, encapsulates the feeling of isolation and loneliness
VENICE 2021: La Caja
La Caja offers an emotional look into the sins of father and son
Isabel Sandoval: “A lot of minority artists should stop pandering and overexplaining to people”
Nicolò Grasso talks to Isabel Sandoval about her cinematic style, Berlin Venice and Cannes, not conforming to convention and being a beacon of positivity
VENICE 2021: My Night ‘Ma Nuit’
Ma Nuit is an emotionally soothing and delicately produced drama
TIFF 2021: Paka (River of Blood)
Paka (River of Blood) is rich with themes of generational pride and revenge
VENICE 2021: El Gran Movimiento
El Gran Moviemento drips and drips away in an attempt to form cohesion but just ends up spiralling and elongating
TIFF 2021: Cadejo Blanco
Cadejo Blanco is a female-driven crime drama that dives into morality and revenge
TIFF 2021: 7 Prisoners
7 Prisoners is a powerful and complex feature from Alexandre Moratto that is one of the best films of the year
TIFF 2021: Dune
Dune is truly the quintessential sci-fi epic
TIFF 2021: Flee
Flee isn’t just one of the best films of the year but one of the best films of the last decade if not of all time
TIFF 2021: The Odd-Job Men
Neus Ballús crafts a beautiful little film in The Odd-Job Men
TIFF 2021: The Story of My Wife
The Story of My Wife has the talents of Gijs Naber and Léa Seydoux to thank for nearly everything the film accomplishes
TIFF 2021: The Guilty
The Guilty is a successful adaptation and remake that will have audiences on the edge of their seats
TIFF 2021: Burning
Burning speaks with a conviction and justified anger
TIFF 2021: Mothering Sunday
Mothering Sunday redeems itself through its costuming, cast, cinematography, and stunning depiction of sensuality
VENICE 2021: Old Henry
Ponciroli slowly but surely turns his feature up to an eleven in terms of indulgence
VENICE 2021: Freaks Out
Chaotic, controversial, entertaining, and harrowing
TIFF 2021: Dashcam
Dashcam is one of the most disappointing films of the year

