The Aeronauts
Tom Harper's feature is another emotionally-induced drama for the pair of both Redmayne and Jones, not only showcasing the pairs outstanding acting talents but sufficing as an intensely immersive and engaging feature
Midway
The visual prowess and scale are genuinely phenomenal to see on the big screen.
Harriet
Harriet is a competent film that does a decent enough job at looking at the story of Harriet Tubman but seriously hurts itself with some crazed filmmaking decisions.
Playing with Fire
Playing With Fire is cute and lighthearted — families will undoubtedly enjoy it — but it is destined to be forgotten in a genre filled with carbon-copy features that add just a bit more weight and layers.
Midsommar: Directors Cut
A more prolonged, more personal and layered horror that puts Aster — on his sophomore effort — in a category of greats within the genre.
The Peanut Butter Falcon
The directorial debut of Tyler Nilson and Michael Schwartz’s The Peanut Butter Falcon is a captivating and poignant portrayal of both acceptance and identity,
Fractured
A lifeless entity that offers little in anticipation and conviction.
Doctor Sleep
Doctor Sleep has a great potential to explore its own mythology but ultimately drowns in a swarm of excessive connectivity with its predecessor.
Official Secrets
Director Gavin Hood has finally found his footing with his latest political drama Official Secrets.
Rattlesnake
Rattlesnake falls somewhere in the middle of both adequate and underwhelming
Dolemite Is My Name
A possible award-winning contender with a scene-stealing performance from lead actor Eddie Murphy, who blows everyone out of the water with a sublime charismatic and electric performance.