Lake of Death
Director Nini Bull Robsahm makes Lake of Death as compelling and engaging as possible, even with severe limitations on offer
Brothers In Brothel
Jiro Sato's Brothers in Brothel is a brooding and multifaceted look at sex work and the exploitation and empowerment that surrounds it
The Pool
The Pool is an intimately produced and claustrophobic horror that uses setting and genre convention to a spectacular degree
The Rental
The Rental is a film with dedication taken in both the script and the production
Radioactive
Radioactive might not be the most toxic film of the year so far, it certainly is up there as one of the hardest films to sit through
Never Be Done: The Richard Glen Lett Story
A directorial debut for documentary filmmaker Roy Tighe, Never Be Done is a touching story of reminiscence and retrospect through the eyes and words of the very man they document
Miss Juneteenth
Miss Juneteenth tells the earnest, heartfelt story of the Black female experience
Sergio
Sergio is one massively missed opportunity
Vast of Night
The Vast of Night is the kind of film that stirs the imagination and makes the future of cinema seem like a bright place in these dark times
Scoob!
Even with expectations and estimations at a total minimum, Tony Cervone's Scoob! still manages to be both sub-par and a missed opportunity
Capone
Josh Trank takes an iconic and indestructible monster with Capone himself and showcases an honest, and often dark sentiment of the once untouchable mobster
Greyhound
For Greyhound, the lack of style in tandem with its script and character issues means it never progresses past the promising opening
Lovebirds
Lovebirds is perhaps the most disappointing and unequivocally unfunny feature to be released in the already marred year that is 2020
Relic
Relic is an accomplished debut that certainly marks out Natalie Erika James as a talent to watch
First Cow
Audiences unfamiliar with Reichardt may struggle with the pacing in First Cow, but the speed at which it moves is integral to its success
The Old Guard
The Old Guard reveals its major weakness early with by-the-book generic action
Irresistable
Irresistible can't find a path between wanting to make its audience laugh or be up in arms, and it certainly does not do both
One Way To Denmark
One Way To Denmark feels both like a story of redemption for a life never had but also a believable tale of picking up the pieces and starting over
Desperados
An extremely bland and basic romantic comedy whose best aspect is chemistry between its actors
Mighty Oak
Mighty Oak at its core has useful and engaging sentiments