Family Romance, LLC
It is very hard to see how another film, particularly in the next decade, will be as experimental as Family Romance, LLC
Hamilton
For three-quarters of these songs, one will be treated, at least in some capacity, to Miranda's trauma-inducing warbling
The Kissing Booth 2
The Kissing Booth 2 manages to be heaps of fun
You Should Have Left
The difficulties of finding a balance between a coherent feature film and staying true to all aspects of the literature are evident
Lake of Death
Director Nini Bull Robsahm makes Lake of Death as compelling and engaging as possible, even with severe limitations on offer
Brothers In Brothel
Jiro Sato's Brothers in Brothel is a brooding and multifaceted look at sex work and the exploitation and empowerment that surrounds it
The Pool
The Pool is an intimately produced and claustrophobic horror that uses setting and genre convention to a spectacular degree
The Rental
The Rental is a film with dedication taken in both the script and the production
Radioactive
Radioactive might not be the most toxic film of the year so far, it certainly is up there as one of the hardest films to sit through
Never Be Done: The Richard Glen Lett Story
A directorial debut for documentary filmmaker Roy Tighe, Never Be Done is a touching story of reminiscence and retrospect through the eyes and words of the very man they document
Miss Juneteenth
Miss Juneteenth tells the earnest, heartfelt story of the Black female experience
Sergio
Sergio is one massively missed opportunity
Vast of Night
The Vast of Night is the kind of film that stirs the imagination and makes the future of cinema seem like a bright place in these dark times
Scoob!
Even with expectations and estimations at a total minimum, Tony Cervone's Scoob! still manages to be both sub-par and a missed opportunity
Capone
Josh Trank takes an iconic and indestructible monster with Capone himself and showcases an honest, and often dark sentiment of the once untouchable mobster
Greyhound
For Greyhound, the lack of style in tandem with its script and character issues means it never progresses past the promising opening
Lovebirds
Lovebirds is perhaps the most disappointing and unequivocally unfunny feature to be released in the already marred year that is 2020
Relic
Relic is an accomplished debut that certainly marks out Natalie Erika James as a talent to watch
First Cow
Audiences unfamiliar with Reichardt may struggle with the pacing in First Cow, but the speed at which it moves is integral to its success
The Old Guard
The Old Guard reveals its major weakness early with by-the-book generic action