Savage
Amidst all the blood, brawn and profanity, there’s an undercurrent of warmth in Savage, a feature-debut by New Zealand director Sam Kelly
Ava
Disgustingly lacklustre and off genre, this action thriller has dull action and zero thrills
TIFF 2020: Good Joe Bell
Good Joe Bell is a failure for anyone even remotely plugged into the LGBTQ+ community
TIFF 2020: Beans
Beans is a film that is demanding Canadians to wake up and listen to its First Nations peoples
Spiral
Spiral is sadly undone with lacking idea and maturity of genre convention and trapped mentality of spoon-feeding the audience every crumb of detail
No Escape
No Escape fails to rise to the films of which it is riffing from
VIFF 2020: Jimmy Carter: Rock & Roll President
Offers a telling portrait of the power of what one man and a regime can hold
Enola Holmes
Suffice to say the Enola Holmes franchise is, in all likelihood, not afoot
VIFF 2020: Jumbo
Zoé Wittock builds a film that, while not perfect, still stands proud as an incredibly engaging and satisfying film
Children of the Sea
The animation might be stunning, but the engagement of Children of the Sea is a sinking boat
NYFF 2020: On the Rocks
A captivating story and conclusion that feels well-built and recontextualises the film for future viewings
VIFF 2020: Anerca, Breath of Life
Transports the audience to cultures different from their own with a craft and conviction that helps the film stand out greatly
NYFF 2020: Lovers Rock
Lover’s Rock struggles to match the depth and urgency of McQueen’s previous work
VIFF 2020: Siberia
Siberia is an utter mess of a film
VIFF 2020: Once Upon a Time in Venezuela
Once Upon A Time in Venezuela will go down as one of the most powerful and genuinely moving political documentaries of the year
NYFF 2020: Undine
Undine is a brooding and intoxicating portrait of love wrapped in a hidden dwelling of a fairytale romance
VIFF 2020: Beauty Water
A dark and harrowing constructed animated feature on beauty and happiness while intertwined in a body horror genre
Rocks
Rocks is a quintessential coming-of-age story
TIFF 2020: Penguin Bloom
It is Naomi Watts who holds Penguin Bloom together with her star performance
VENICE 2020: The Predators
Where The Predators thrives is in its comedic roots

