FRIGHTFEST 2021: Knocking
There is a lot to like and appreciate in Frida Kempff's semi-thrilling and immersive drama Knocking
Fantasia 2021: You Can’t Kill Meme
You Can’t Kill Meme is nothing short of a disaster
Americanish
Americanish is a darling romantic comedy that explores womanhood in relation to cultural and societal expectations
PAW Patrol: The Movie
PAW Patrol: The Movie might not transcend the children’s animated genre but genuinely surprises being one of the strongest additions to the genre in recent memory
He’s All That
He’s All That is nothing compared to the classics that have come before it
FANTASIA 2021: Baby, Don't Cry
Jesse Dvorak's Baby, Don't Cry is quite the surprise
FRIGHTFEST 2021: Demonic
Demonic is more than a disappointment. It is a disaster
FANTASIA 2021: Agnes
The best word to describe Mickey Reece's Agnes is incoherent
Sweet Girl
Sweet Girl is a product of inevitabilities
Beckett
Beckett struggles to relent and revolt against that inevitable predictability
FANTASIA 2021: The Devil's Deal
Brilliantly incorporates moments of brevity and comedic sensibility to dilute and craft an even more accessible nature
Reminiscence
Had there been a semblance of tongue-in-cheek admirability to Reminiscence, then perhaps it would be far more palatable
Annette
Annette takes the bold step to introduce elements of the musical genre, they are not used in a way that benefits the narrative
FANTASIA 2021: Lost Boys
Constantly honest and transparent with its depiction, Lost Boys is never afraid to showcase the reality of the situation
Free Guy
Free Guy is gleeful fun
FANTASIA 2021: The Sadness
Any aficionado of the genre or just general blood splatter is going to engross in this to the point of utter excitement
VENICE 2021: Parallel Mothers
One of the strongest opening films from the last few years at Venice, and among the finer films among the director’s wide and eclectic filmography.
Demonic
While Demonic has interesting ideas, its execution is more than haphazard
Being a Human Person
There is something rather wonderous, almost terrifying, about a creative force accepting the end of their career
Stillwater
Stillwater might just be Tom McCarthy’s best film to date but is undeniably hurt by its ties to real-life tragedy

