Dune
The world of Dune is an incredibly dense and detailed one
Halloween Kills
Halloween Kills is the most subversive entry of the franchise by far
LFF 2021: Cannon Arm and the Arcade Quest
Cannon Arm and the Arcade Quest does a splendid and entertaining job of giving its subject the limelight it deserves
Rise of the Footsoldier: Origins
Rise of the Footsoldier: Origins is both different and refreshing in substance
The Last Duel
The Last Duel is an incredible film in every way imaginable
Intrusion
Intrusion is a flat, hollow, uninspired and genuinely poorly produced feature that is nothing short of a shambles
VIFF 2021: The Beta Test
The Beta Test falls into mundane and rudimentary territory that does not know what to do with its spark
LFF 2021: Mass
If one thing is assured in Fran Kranz's Mass is that it will emotionally destroy the viewer
The French Dispatch
The French Dispatch feels incredibly reductive for Wes Anderson’s filmography
V/H/S/94
V/H/S/94 delivers gore and nastiness for everyone
The Manor
The Manor is a mixed-up nightmare filled with odd intentions and earnest meanings
LFF 2021: Playground ‘Un Monde’
Laura Wandel offers a stirring and utterly perfect venture in her drama Playground
LFF 2021: Wild Indian
Wild Indian is a brooding and meditative portrayal of conscience
VIFF 2021: Miracle ‘Miracol’
Miracle is not the second coming critics wanted, or perhaps Romania needed to kickstart a new wave of cinema
Best Sellers
Best Sellers is not going to set the world on fire, but it is going to reap the rewards of consistency
LFF 2021: The Dance
The Dance is rousing in its themes of creativity and passion
LFF 2021: The Tragedy of Macbeth
The Tragedy Of Macbeth is a marvel of production and craftsmanship
LFF 2021: All These Sons
All These Sons is a profound, poignant and much-needed discourse
LFF 2021: The Odd-Job Men
Neus Ballús' The Odd-Job Men is a warming and poignant look into the world of character
LFF 2021: The Fam ‘La Mif’
La Mif is in no way a casual or easy watch

