Don't Look Up
Don’t Look Up has a big, bold cast and not much else
Four Good Days
Four Good Days spirals into simplicity and complacency
Swan Song
Ali is impressive, no doubts about that, but Swan Song fails to form much around him
The Hand of God
The Hand of God is an inevitably fascinating piece from Sorrentino
Red Rocket
Red Rocket sees the director continue his trend of examining the uncomfortable and unorthodox
The Lost Daughter
The Lost Daughter may not be particularly exhilarating but it does provide another exceptional merit to a career on the up and up
Flag Day
Flag Day turns itself into a frustrating and unreasonable feature
Being the Ricardos
An uneventful, unfocused, and worst of all, terribly dull biopic
The Unforgivable
The Unforgivable has a hard time making anything much of its leading character
C’mon C’mon
C’mon C’mon comes close to becoming something special but ultimately fails as a result of multiple misguided decisions
Apex
For those faithful few Willis fans, Apex should surely disappoint
The Matrix Resurrections
The Matrix Resurrections does not, and sadly never, quite finds that perfect Wachowski balance and equilibrium
West Side Story
Few landmark musicals truly stand the test of time like West Side Story
The King’s Man
The King’s Man is an incredibly amusing experience filled with action and history weaved into a uniquely good time
Oasis: Knebworth 1996
Oasis: Knebworth 1996 fails to provide the crucial balance of the best documentaries
Resident Evil: Welcome to Raccoon City
Resident Evil: Welcome to Raccoon City is a failure
Spider-Man: No Way Home
Spider-Man: No Way Home is dedicated to fan service
Benedetta
Verhoeven’s best work since Basic Instinct, and his most maddening effort since Showgirls
Do Not Hesitate
Do Not Hesitate is a powerful look at the dangerous blending of youth and war
Wolf
Wolf features a great performance from George MacKay and one of the messiest screenplays of the year

