Kimi
One of Soderbergh’s best in recent years
Texas Chainsaw Massacre
Texas Chainsaw Massacre squanders all hope and integrity with destroying the legacy that built it
Moonfall
Sloppily made, poorly written, and terribly acted with enough corn to fill out a Thanksgiving side-dish
American Underdog
American Underdog feels almost as dull as the sport it adapts
Munich: The Edge of War
Far too inconsistent to make itself a worthy portrayal of world events
A Hero
A Hero is a gripping and, at times, exhausting character drama
The Ice Age Adventures of Buck Wild
The Ice Age Adventures of Buck Wild are not as wild as some may expect
Clean
Clean fails to bring itself together at the most crucial of times
Marry Me
Marry Me has everything required of the romantic comedy genre
Black Friday
Black Friday will provide just the right dose of horror and comedy
Sundance 2022: Fire of Love
Fire of Love is an exceptional documentary that explores the layers and nuances of love
The 355
The 355 offers the viewer the most simplistic and bare-bones venture
Jackass Forever
Jackass Forever feels destined to be the funniest film of the year
Sundance 2022: Good Luck to You, Leo Grande
Good Luck to You, Leo Grande is an exceptional look at female sexuality and the emotional scars many carry
Licorice Pizza
There’s something for everyone in Licorice Pizza
Sundance 2022: When You Finish Saving the World
When You Finish Saving the World is a tender family drama that can suffer from the inexperience of Jesse Eisenberg as a filmmaker
Scream
Scream 5 feels a worthy sequel to a franchise that has had its day
A Journal for Jordan
A Journal for Jordan quickly becomes a guidebook on how not to draw on the emotive tones of true stories
Sundance 2022: Girl Picture
Girl Picture is a stunning portrait of growing up and the complex emotions that follow the transition from childhood to adulthood
Hotel Transylvania: Transformania
Hotel Transylvania: Transformia scrapes through the bottom of the barrel and hits the bedrock below