Cheaper by the Dozen
Cheaper by the Dozen is a train wreck spectacle unfurling like no other
X
X is a fun throwback to 1970s grindhouse pictures and exploitation films
Rooney
Rooney documents marriage, failure, professional brilliance and retirement with a scattershot arrangement
Pursuit
Audiences should be afraid of Pursuit
The Adam Project
The Adam Project is a collection of recognisable faces, safely timed action and dribbling one-liners
Turning Red
A thoroughly entertaining and resonant feature
Fresh
A lot of Fresh does feel like its namesake
Blacklight
Blacklight is questionable at the best of times
The Batman
The Batman understands the character in a way that no iteration has before
Three Months
Three Months might have a good heart but is simply poor in execution
I Want You Back
I Want You Back is a little more than that typical setlist of ups and downs
Uncharted
Uncharted leaves much to be desired
The Requin
The Requin is a dull, unproductive, and flat venture with minimal reward.
Bigbug
Bigbug does not take advantage of its premise, actors, and themes
Dog
Dog proves itself to be unexpectedly deep and endearing
Death on the Nile
Death on the Nile is a long-awaited but thankfully terrific experience
Kimi
One of Soderbergh’s best in recent years
Texas Chainsaw Massacre
Texas Chainsaw Massacre squanders all hope and integrity with destroying the legacy that built it
Moonfall
Sloppily made, poorly written, and terribly acted with enough corn to fill out a Thanksgiving side-dish
American Underdog
American Underdog feels almost as dull as the sport it adapts