Jennifer Lopez: Halftime
Jennifer Lopez: Halftime is a poorly shot and awfully developed documentary
Umma
The failure of Umma is that it has no faith in the strengths of its dramatic underbelly
Crimes of the Future
Has Cronenberg become a pastiche of himself? Hardly
Alice
Alice is a film at a loss of a clear identity
Cha Cha Real Smooth
Unfortunately, Cha Cha Real Smooth has nothing to do with Mr C The Slide Man
Lightyear
Aesthetically, Lightyear is one of Pixar’s most dazzling productions
Jurassic World Dominion
Jurassic World Dominion proves that the Jurassic Park franchise should be left in extinction
Hustle
Hustle provides Sandler with Sugarman, one of the finest characters the comedian has ever portrayed
Dual
Dual’s wild and unexplainable introduction hopes to showcase a smokescreen of intense and weird surroundings
Memory
Not since Taken has Neeson felt so interesting to engage with
Top Gun: Maverick
Cruise continues his quest of delivering blockbusters of a different caliber
The Unbearable Weight of Massive Talent
The Unbearable Weight of Massive Talent is thankfully more than just a Cage appreciation reel
Chip ‘n Dale: Rescue Rangers
Chip ‘n Dale: Rescue Rangers is the latest bit of cannon fodder from Disney
Men
Alex Garland has the uncanny ability to turn idyllic settings into the grotesque
Last Looks
Loud and messy at the best of times, Last Looks has a notable cast to it but little to offer them or viewers
Senior Year
As disparate and underwhelming Senior Year is, there is a notable swiftness to how it hits all the expected notes of its genre
Cannes 2022: Metronom
With a resoundingly stunning craft and empathetic emotional journey, Metronom is beyond worthwhile
The Burning Sea
The Burning Sea is an effective and engaging thriller
Shark Bait
Shark Bait has very small moments of something interesting but struggles to take it up one more notch to something worthy
Sneakerella
There is something within Sneakerella that will certainly connect with a younger audience