Ewan Gleadow 7/27/21 Ewan Gleadow 7/27/21

Awake

Awake plays like a convenient, coincidental collection of connect-the-dots plot points

Carson Timar 7/27/21 Carson Timar 7/27/21

Words Bubble Up Like Soda Pop

Words Bubble Up Like Soda Pop makes up for its lack of depth with an undeniable summer charm

Jak Luke Sharp 7/26/21 Jak Luke Sharp 7/26/21

CANNES 2021: The Worst Person in the World

The Worst Person In the World will stand as a masterwork in Joachim Trier’s filmography

Jak Luke Sharp 7/25/21 Jak Luke Sharp 7/25/21

CANNES 2021: La Civil

La Civil is a fantastic, emotionally brooding piece of drama

Alexander Holmes 7/24/21 Alexander Holmes 7/24/21

Space Jam: A New Legacy

Space Jam: A New Legacy is even more of a shameless exercise in corporatization than its predecessor

Carson Timar 7/24/21 Carson Timar 7/24/21

Old

Old is a highly bizarre film from M. Night Shyamalan that self-destructs on its own potential

Hillary White 7/24/21 Hillary White 7/24/21

Pig

Pig is grounded in a stark and sometimes unforgiving reality

Jak Luke Sharp 7/22/21 Jak Luke Sharp 7/22/21

Cannes 2021: Cow

With no sincere substance and an outrageous running time of ninety-three minutes, Cow is a self-indulgent bore

Jak Luke Sharp 7/22/21 Jak Luke Sharp 7/22/21

Cannes 2021: Women Do Cry

A harrowing and often dark social call for change and understanding of the aids crisis and women's rights in Bulgaria

Alexander Holmes 7/20/21 Alexander Holmes 7/20/21

Zola

Bravo’s directorial style does nicely complement the tweet-based nature of the film

Kyle Gaffney 7/20/21 Kyle Gaffney 7/20/21

The Croods: A New Age - VIDEO REVIEW

In our latest video review over at CLAPPER VIDEO, Ewan Gleadow narrates his thoughts on the latest Dreamworks animation sequel, The Croods: A New Age

Nabeel Zaman 7/20/21 Nabeel Zaman 7/20/21

CANNES 2021: Moneyboys

Moneyboys is nicely made and opens the viewer up to a slice of modern rural China

Carson Timar 7/19/21 Carson Timar 7/19/21

Black Widow

Black Widow finally gives the titular character the solo project she deserved a decade ago

Jak Luke Sharp 7/19/21 Jak Luke Sharp 7/19/21

CANNES 2021: The Braves ‘Entre les vagues’

The Braves is one of Cannes' most emotionally devastating and enlightening dramas in 2021

Carson Timar 7/17/21 Carson Timar 7/17/21

CANNES 2021: Mi iubita, mon amou

Mi iubita, mon amour shows potential for Noémie Merlant as a director but falls short with its screenplay

Carson Timar 7/17/21 Carson Timar 7/17/21

The Forever Purge

Due to its own ignorance, The Forever Purge is one of the most dangerous films of the year

Kevin Whyte 7/16/21 Kevin Whyte 7/16/21

Summer of Soul (…or, When the Revolution Could Not Be Televised)

Offers some astounding footage of a lost music festival and the joy of people rediscovering it

Jak Luke Sharp 7/16/21 Jak Luke Sharp 7/16/21

CANNES 2021: Bloody Oranges “Oranges sanguines”

Bloody Oranges completely misses the mark and enters into a territory so foul and incendiary it should be avoided at all costs

Ewan Gleadow 7/16/21 Ewan Gleadow 7/16/21

The Tomorrow War

Zach Dean’s script spoon-feeds its audience with belittling incompetency

Ewan Gleadow 7/15/21 Ewan Gleadow 7/15/21

The Boss Baby: Family Business

Another stain on the superb world of animated antics and feature-length offerings from Dreamworks Animation