VENICE 2021: Parallel Mothers
One of the strongest opening films from the last few years at Venice, and among the finer films among the director’s wide and eclectic filmography.
Demonic
While Demonic has interesting ideas, its execution is more than haphazard
Being a Human Person
There is something rather wonderous, almost terrifying, about a creative force accepting the end of their career
Stillwater
Stillwater might just be Tom McCarthy’s best film to date but is undeniably hurt by its ties to real-life tragedy
Fantasia 2021: Tin Can
Tin Can is one of the more unique films to come out of the era of lockdown
Don’t Breathe 2
There is so little here to be remotely entertained or even find acceptable
The Kissing Booth 3
The Kissing Booth 3 scales back to a rinse and repeat do-over of the previous two entries
FANTASIA 2021: Glasshouse
Glasshouse perfectly blends different genres of thriller, science-fiction, and family drama into a neat little bow
CODA
CODA is a less-than-desirable piece of coming-of-age dramatics with a unique angle to it
The White Lotus – Season 1
A stay at The White Lotus isn’t for everyone but those who finish the journey will be rewarded with the best piece of media to come out of the pandemic so far
FANTASIA 2021: Ghosting Gloria
Ghosting Gloria (Muerto con Gloria) brilliantly blurs the lines between romance, comedy, and horror
CANNES 2021: The Sea Ahead ‘البحر أمامكم’
The thematic richness of The Sea Ahead is in abundance
FANTASIA 2021: Baby Money
Baby Money is a fresh take on the crime thriller genre
SXSW 2021: The Lost Sons
The Lost Sons is a harrowing, disturbing, but often inspiring documentary that touches on the tip of an iceberg
The Green Knight
Too many gaps left in the big picture and there doesn’t seem to be much interest in filling the blanks
FANTASIA 2021: Sexual Drive
Sexual Drive is a rich tapestry of performance
Midnight in the Switchgrass
From the opening seconds of narration and drone shots of empty roads, Midnight in the Switchgrass feels off
John and the Hole
John and the Hole is a strange tale of swapping power dynamics and unexpected connection
The Suicide Squad
The Suicide Squad is narratively exhausting and has no real payoff
FANTASIA 2021: Satoshi Kon: The Illusionist
Satoshi Kon: The Illusionist celebrates the titular legendary filmmaker with a respect and passion

