VENICE 2021: Sundown
Sundown tries both the patience and emotions of those watching it
VENICE 2021: Land of Dreams
Land of Dreams is an incredibly dense self-prodigal narrative and context that cannot justify the features own weight
VENICE 2021: Il Buco
The fabulous and transfixing imagery aside, Il Buco is the epitome of patronising art house grandiose
VENICE 2021: Promises ‘Les Promesses’
Les Promesses is a poignant and thematically rich drama that excels in creating immersive character moments
VENICE 2021: Madeleine Collins
Madeleine Collins is simplistic, melodramatic entertainment
VENICE 2021: Last Night in Soho
Last Night in Soho is a definite success for Wright
VENICE 2021: Last Night in Soho
Last Night in Soho offers nothing but an underwhelming and derivative bore
VENICE 2021: Competencia Oficial
Competencia Oficial is a riot from beginning to end
Worth
Worth wishes to bury itself deep in the dark corners of tragedy but has nothing to offer those that lived through it
VENICE 2021: The Lost Daughter
The story of The Lost Daughter is quite strong thematically, unfortunately it falls apart in the execution
VENICE 2021: Il Buco
Il Buco is all about the power of nature and the smallness of humanity
VENICE 2021: DUNE
Dune: Part One puts the perspective of Blade Runner: 2049 as a mere dress rehearsal in comparison to bringing Herbert's material to the screen
Together
Together showcases a breakdown in a lockdown, but not convincingly
VENICE 2021: Spencer
One of the most moving and downright best films that 2021 has delivered so far.
Cinderella
Cinderella really tries to hammer home an empowering message, but it totally falls flat due to the plot holes ever present
Bob Ross: Happy Accidents, Betrayal & Greed
Bob Ross: Happy Accidents, Betrayal & Greed is too charmed by its subject to make the hard calls on what is and is not relevant
VENICE 2021: The Hand of God ‘‘È stata la mano di Dio’’
The Hand of the God once again pertains that Sorrentino is one of the greatest living filmmakers of his generation
VENICE 2021: The Card Counter
The Card Counter stands as not only a solid follow up to a magnum opus but continues Schrader's trajectory of sin in a blended form of sensual moral brevity
VENICE 2021: The Card Counter
It is an immensely enjoyable experience for those who manage to find themselves on the very specific wavelength that Schrader is on.
VENICE 2021: Land of Dreams
An obtuse, needlessly convoluted, and downright messy film.

