Licorice Pizza
There’s something for everyone in Licorice Pizza
Sundance 2022: When You Finish Saving the World
When You Finish Saving the World is a tender family drama that can suffer from the inexperience of Jesse Eisenberg as a filmmaker
Scream
Scream 5 feels a worthy sequel to a franchise that has had its day
A Journal for Jordan
A Journal for Jordan quickly becomes a guidebook on how not to draw on the emotive tones of true stories
Sundance 2022: Girl Picture
Girl Picture is a stunning portrait of growing up and the complex emotions that follow the transition from childhood to adulthood
Hotel Transylvania: Transformania
Hotel Transylvania: Transformia scrapes through the bottom of the barrel and hits the bedrock below
Sundance 2022: The Mission
The Mission is possibly the most unbiased religious texts to date
The House
The House has great ideas but no clue of how to showcase them
Sing 2
Sing 2’s script fixes many problems that prevented the first film from being worthwhile
The Tender Bar
It is maddening to see just how mediocre The Tender Bar is
Don't Look Up
Don’t Look Up has a big, bold cast and not much else
Four Good Days
Four Good Days spirals into simplicity and complacency
Swan Song
Ali is impressive, no doubts about that, but Swan Song fails to form much around him
The Hand of God
The Hand of God is an inevitably fascinating piece from Sorrentino
Red Rocket
Red Rocket sees the director continue his trend of examining the uncomfortable and unorthodox
The Lost Daughter
The Lost Daughter may not be particularly exhilarating but it does provide another exceptional merit to a career on the up and up
Flag Day
Flag Day turns itself into a frustrating and unreasonable feature
Being the Ricardos
An uneventful, unfocused, and worst of all, terribly dull biopic
The Unforgivable
The Unforgivable has a hard time making anything much of its leading character
C’mon C’mon
C’mon C’mon comes close to becoming something special but ultimately fails as a result of multiple misguided decisions