I Want You Back
I Want You Back is a little more than that typical setlist of ups and downs
Uncharted
Uncharted leaves much to be desired
The Requin
The Requin is a dull, unproductive, and flat venture with minimal reward.
Bigbug
Bigbug does not take advantage of its premise, actors, and themes
Dog
Dog proves itself to be unexpectedly deep and endearing
Death on the Nile
Death on the Nile is a long-awaited but thankfully terrific experience
Kimi
One of Soderbergh’s best in recent years
Texas Chainsaw Massacre
Texas Chainsaw Massacre squanders all hope and integrity with destroying the legacy that built it
Moonfall
Sloppily made, poorly written, and terribly acted with enough corn to fill out a Thanksgiving side-dish
American Underdog
American Underdog feels almost as dull as the sport it adapts
Munich: The Edge of War
Far too inconsistent to make itself a worthy portrayal of world events
A Hero
A Hero is a gripping and, at times, exhausting character drama
The Ice Age Adventures of Buck Wild
The Ice Age Adventures of Buck Wild are not as wild as some may expect
Clean
Clean fails to bring itself together at the most crucial of times
Marry Me
Marry Me has everything required of the romantic comedy genre
Black Friday
Black Friday will provide just the right dose of horror and comedy
Sundance 2022: Fire of Love
Fire of Love is an exceptional documentary that explores the layers and nuances of love
The 355
The 355 offers the viewer the most simplistic and bare-bones venture
Jackass Forever
Jackass Forever feels destined to be the funniest film of the year
Sundance 2022: Good Luck to You, Leo Grande
Good Luck to You, Leo Grande is an exceptional look at female sexuality and the emotional scars many carry