V/H/S/99
V/H/S/99 is consistently entertaining despite never fully reaching its true potential.
Hellraiser (2022)
Hellraiser is a massive squandered affair
The Munsters
Once The Munsters gets into its groove it becomes a wacky, weird and often wonderful time
Good Night Oppy
Good Night Oppy is a story of human endeavor that is both passionate and inspiring
The Invitation
The Invitation is a mild disappointment and a wasted opportunity
The Woman King
The Woman King is a staggering old-school epic that demands to be seen on the most giant screen possible
Dark Glasses
This is far from being another Argento classic
Three Thousand Years of Longing
One of the oddest and one of the most conventional films of the year
Pearl
Pearl warrants a trip to the cinema just to see the acting talents of lead actress Mia Goth alone
Hocus Pocus 2
Hocus Pocus 2 is a frustratingly dull watch
Jeepers Creepers: Reborn
Jeepers Creepers: Reborn, for the most part, succeeds in getting itself back on the wagon
I Love My Dad
I Love My Dad walks a fine line between being heartfelt and excruciating
Samaritan
Samaritan will serve audiences well who want to see another brick-in-the-wall
Pinocchio
Pinocchio is shockingly Disney’s least egregious re-adaptation, and a surprisingly visually striking one at that
Brian and Charles
Brian and Charles makes the unbelievable feel ordinary and the oddities feel unfortunately drab
Death of a Ladies' Man
Death of a Ladies’ Man was doomed from the start
Thor: Love and Thunder
Thor: Love and Thunder caters to a specific taste and audience
Beast
There’s little in Beast that actually works
Nope
If one thing is abundantly clear with Jordan Peele is that he is effortlessly dedicated to the craft of genre cinema
Venice 2022: Master Gardener
Master Gardener is Schrader’s Cry Macho.

