GLASGOW FILM FESTIVAL 2020 - Pity the Lovers
Pity the Lovers takes the classic romantic comedy to look into male emotions and how men fall in love
GLASGOW FILM FESTIVAL 2020 - The Last Autumn (Síðasta haustið)
The Last Autumn is a profound portrait and a dedication to Iceland’s remaining farmers, a tale of a vanishing way of life
GLASGOW FILM FESTIVAL 2020 - The Twentieth Century
Visually provocative without being obnoxious, boundary-pushing without being offensive, satirical without being heavy-handed
GLASGOW FILM FESTIVAL 2020 - Standing Up, Falling Down
Standing Up, Falling Down is a slow-cooked comfort food made with such well-worn thematic ingredients as managing aspirations, nurturing relationships and appreciating familial bonds
GLASGOW FILM FESTIVAL 2020 - The Painted Bird
Even when The Painted Bird is shot beautifully and the edit from Ludek Hudec is weighted to perfection, there will be only a small minority who will make it through a sitting
GLASGOW FILM FESTIVAL 2020 - Pictures From Afghanistan
With the help of director Robbie Fraser, David Pratt through Pictures of Afghanistan, his photographs and storytelling, is able to convince a western audience to confront the realities of warfare in Afghanistan
The Invisible Man
A tense, atmospheric, and wholeheartedly frightening toe-curling horror that is unnerving at every corner
GLASGOW FILM FESTIVAL 2020 - I Want My MTV
Entertaining, but almost completely disposable.
GLASGOW FILM FESTIVAL 2020 - Escape From Pretoria
Escape From Pretoria is a content and intimate devised feature that is here to thrill its audience
GLASGOW FILM FESTIVAL 2020 - Valley of Souls
Valley of souls is a harrowing and masterful debut, beautifully shot and composed with calculated restraint characteristic of a mature filmmaker.
True History of the Kelly Gang
Justin Kurzel returns from his box office exodus with the True History of the Kelly Gang. The result? Not very good.
Color Out of Space
Even when it has to nowhere to go and the cards are dealt with a bad deal, it manages to conquer expectation and devour all with a sublime climatic thud.
Greed
Greed presents itself as a tonally imbalanced comedic drama
The Kill Team
There are moments of relentless intensity, but the irregular score and sound mixing work too hard to dramatise what is already engaging
GLASGOW FILM FESTIVAL 2020 - Supernova
Supernova may be rough around the edges, but the breakneck pacing keeps the tension high and the momentum consistent, making for a satisfying watch
GLASGOW FILM FESTIVAL 2020 - Toni Morrison: The Pieces I Am
Paints a raw and unflinching portrait of author, Toni Morrison that authentically captures the true aesthetic and essence of her literary accomplishments and feels undeniably like Morrison herself
GLASGOW FILM FESTIVAL 2020 - Jesus Shows You the Way to the Highway
Jesus Shows You the Way to the Highway is an inexplicably effective recreation and unintentional deconstruction of the exploitation genre
Altered Carbon - Season 2
This sophomore effort surpasses expectations by narrowing the focus more on the foundations that make the big picture substantial and pleasurable to witness
The Last Thing He Wanted
One of the most convoluted, dull and confusing plots NETFLIX has decided to bring to life in some time
The Call of the Wild
A decent venture for kids who probably won’t delve into the specifics of the CGI