Spree
There is a lot to like in Eugene Kotlyarenko's Spree: Joe Kerry's performance, or the incredibly well-executed found-footage aesthetic
ARTEMIS FOWL: The Sunk Cost Fallacy and Morality of Schoolyard Bullying
Jakub Flasz investigates the release of ARTEMIS FOWL on Disney+, questioning its online scrutinisation and critical annihilation
Strasbourg 1518
Strasbourg 1518 delivers one of the most unhinged cinematic experiences of the year so far
American Pickle
An American Pickle had every piece of the puzzle to be something truly special, only to fumble due to a confused and lackluster screenplay
ClapperCast - Episode 12: The Kissing Booth 2, Yes God Yes, How to Build a Girl
On episode 12 of ClapperCast, the team discuss The Kissing Booth 2, Karen Maine’s Yes, God Yes, and Coky Giedroyc’s How to Build a Girl
Made In Italy
As far as directorial debuts go, James D'arcy's Made In Italy is undeniably strong
HOOP DREAMS: The importance of Steve James’ film in the post-BLM world
In his latest essay, Jakub Flasz explores the importance of Steve James’ HOOP DREAMS in the post-BLM world
She Dies Tomorrow
She Dies Tomorrow is a true reflection of what the art of cinema should strive to be as a whole
BAMBOOZLED: Spike Lee's New Millennium Satire
Continuing our SPIKE LEE RETROSPECTIVE in support of BLM, Kevin Whyte pens his essay on BAMBOOZLED and takes a look at the United States long history of racist, stereotypical portrayals of minority groups and the lack of representation many still face in media
SHEFFIELD DOC FEST 2020: The Secret of Doctor Grinberg
The Secret of Doctor Grinberg is a well-crafted, mysterious tale that makes a mark in an oversaturated market
PAUL HYETT: “I actually get upset when a film comes to the cinema that costs around four or five million to make and is a really good, intelligent, adult drama but doesn't do well”
Director Paul Hyett sits down to talk to Ashley Robson about COVID-19, the independent market, streaming giants, and his latest mind-bending horror PERIPHERAL
10 Questions with BREA GRANT
Director Brea Grant sits down and answers 10 questions about her latest film 12 HOUR SHIFT
Deep Blue Sea 3
It is hard to say that Pogue's film is nothing but a success
The Umbrella Academy - Season 2
The Umbrella Academy - Season 2 is both a vision of what NETFLIX could be, and a reminder of everything that holds it back
THE VVITCH: A Guide on how to break the Balance Between Two Opposites
In his debut essay for CLAPPER, Pietro Falcone explores the balance between two opposites in Robert Eggers’ THE VVITCH
Love, Victor
Love, Victor is an important series for families to watch, showcasing a unique yet relevant perspective and truth
MIRACLE AT ST. ANNA: Prelude to DA 5 BLOODS
Continuing our SPIKE LEE RETROSPECTIVE in support of BLM, Jak-Luke Sharp pens his essay on cinematic techniques found in MIRACLE AT ST. ANNA and its influence in DA 5 BLOODS
Peripheral
Peripheral is an effective and memorable thriller full of twists and plenty of surprises
John Lewis: Good Trouble
John Lewis: Good Trouble is poorly put together and attempts to cover far too much of Lewis’ life
Richard Lett and Roy Tighe: “When I found alcohol and drugs, the terrifying part of that losing my shit was numbed away and the hilarious part emerged“
Star Richard Lett and Director Roy Tighe talk to Ewan Gleadow about addiction, recovery, stand-up, and the duo’s collaborative effort Never Be Done: A Richard Lett Story