Guest User 9/13/20 Guest User 9/13/20

TIFF 2020: David

David is a well shot, funny and heartfelt short film

Rory Marsh 9/13/20 Rory Marsh 9/13/20

The Ideologies of FIGHT CLUB and CITY OF GOD

In his latest essay, Rory Marsh investigates and compares the ideologies presented in FIGHT CLUB and CITY OF GOD

Robert Dixon 9/13/20 Robert Dixon 9/13/20

ARROW FRIGHTFEST (digital): 12 Hour Shift

Brea Grant definitely shows chops here, and while it’s not particularly profound, 12 HOUR SHIFT is still a really great time

Jak Luke Sharp 9/12/20 Jak Luke Sharp 9/12/20

Waiting for the Barbarians

To put in bluntly, Guerra's Waiting for the Barbarians is flat style with zero substance

Carson Timar 9/12/20 Carson Timar 9/12/20

All In: The Fight for Democracy

All In: The Fight for Democracy is yet another film on the long list of documentaries that is making 2020 one of the strongest years for the genre in recent memory

Jak Luke Sharp 9/12/20 Jak Luke Sharp 9/12/20

VENICE 2020: The Best is Yet to Come

The Best is Yet to Come is a slow-burning and diluted venture that fails to be both enticing and engaging for its viewer

Jak Luke Sharp 9/12/20 Jak Luke Sharp 9/12/20

VENICE 2020: The Ties

The final product – while not a disaster – does nothing to particular craft a deeply engaging or potentially astonishing piece of cinema

Jacob Allen 9/11/20 Jacob Allen 9/11/20

The Devil All The Time

How the story of this giant ensemble comes together is just like the narrator says: dumb luck or God’s doing

Alina Faulds 9/11/20 Alina Faulds 9/11/20

TIFF 2020: One Night in Miami..

Regina King skillfully extracts impeccable performances from each and every one of her leading men

Jak Luke Sharp 9/11/20 Jak Luke Sharp 9/11/20

VENICE 2020: Honey Cigar

Honey Cigar is a multifaceted brooding pot of emotional conviction and allure

Carson Timar 9/11/20 Carson Timar 9/11/20

Sputnik

Sputnik easily goes down as one of the most well-crafted and rewarding thrillers of the year

Jak Luke Sharp 9/11/20 Jak Luke Sharp 9/11/20

The Roads Not Taken

The intentions of Sally Potter's The Roads Not Taken are clear from the outset, unfortunately, the directors' latest feature is a far cry of her greatest work

Kyle Krieghbaum 9/11/20 Kyle Krieghbaum 9/11/20

The New Mutants

The New Mutants is an uninspired, lazy and uninteresting product

Jakub Flasz 9/10/20 Jakub Flasz 9/10/20

The Personal History of David Copperfield (international)

A refreshing and snappy merger of modern sensibilities of comedy with the spirit of the original novel

Rory Marsh 9/10/20 Rory Marsh 9/10/20

ANNIHILATION: The Five Stages of Invasion

In his latest essay, Rory Marsh takes a look at the five stages of invasion present in Alex Garland’s dense and hypnotic science-fiction feature ANNIHILATION

Robert Dixon 9/10/20 Robert Dixon 9/10/20

ARROW FRIGHTFEST (digital): SHORT FILM SHOWCASE

Robert Dixon takes a look at the short film showcase at ARROW FRIGHTFEST

Jak Luke Sharp 9/9/20 Jak Luke Sharp 9/9/20

ClapperCast - Episode 19: Mulan, I’m Thinking of Ending Things, Lingua Franca

On episode 19 of ClapperCast, the team discuss the controversial release of Mulan, the enigmatic narrative of Charlie Kaufman’s I’m Thinking of Ending Things, and Lingua Franca

Robert Dixon 9/9/20 Robert Dixon 9/9/20

ARROW FRIGHTFEST (digital): There's No Such Thing As Vampires

There’s No Such Thing as Vampires is fundamentally a nothing movie

Guest User 9/9/20 Guest User 9/9/20

The Effects of Stigmatization and Stereotypes in the American Film Industry: THE ACADEMY + CONSUMERS

In his latest essay, Diego Andaluz investigates both The Academy Awards and the Consumer regarding Effects of Stigmatization and Stereotypes in the American Film Industry - PART TWO

Alexander Holmes 9/8/20 Alexander Holmes 9/8/20

I Used to Go Here

I Used to Go Here might not approach its themes in an original way, but the film is admirably low-key and contains an excess of charm