Carson Timar 9/16/20 Carson Timar 9/16/20

The Haunting Pain of Casual Representation of CALL ME BY YOUR NAME and PORTRAIT OF A LADY ON FIRE

In his latest essay, Carson Timar investigates casual representation present in critically acclaimed features CALL ME BY YOUR NAME and PORTRAIT OF A LADY ON FIRE

Carson Timar 9/15/20 Carson Timar 9/15/20

TIFF 2020: Falling

An inspired first outing from Viggo Mortensen with promise both as a screenwriter and especially as a director

Alina Faulds 9/15/20 Alina Faulds 9/15/20

TIFF 2020: Shiva Baby

With an impressive cast led by Rachel Sennott, Shiva Baby is not a comedy to miss

Rory Marsh 9/14/20 Rory Marsh 9/14/20

Psychological Realism in Paul Thomas Anderson's INHERENT VICE

In his latest essay, Rory Marsh takes a look at the psychological realism in Paul Thomas Anderson's INHERENT VICE

George Lewis 9/14/20 George Lewis 9/14/20

Away

Away might not be the resonate wholly in the present, but it could set a sturdy template for the future

Carson Timar 9/14/20 Carson Timar 9/14/20

Huracán

Huracán is yet another exciting directorial feature debut to come from the year so far

Alina Faulds 9/14/20 Alina Faulds 9/14/20

TIFF 2020: Apples

Apples is an incredibly promising effort with Nikou giving a fresh voice to Greek cinema

Carson Timar 9/13/20 Carson Timar 9/13/20

Cuties

Cuties is a film with high ambitions, attempting and succeeding in becoming a mature and nuanced look at this taboo and often triggering topic but also undeniably struggles

Owen Hiscock 9/13/20 Owen Hiscock 9/13/20

The Boys - Season 2 EP4 ‘Nothing Like It in the World’

Plot reveals are unexpected but still feel justified and worth going in blind for

Guest User 9/13/20 Guest User 9/13/20

TIFF 2020: David

David is a well shot, funny and heartfelt short film

Rory Marsh 9/13/20 Rory Marsh 9/13/20

The Ideologies of FIGHT CLUB and CITY OF GOD

In his latest essay, Rory Marsh investigates and compares the ideologies presented in FIGHT CLUB and CITY OF GOD

Robert Dixon 9/13/20 Robert Dixon 9/13/20

ARROW FRIGHTFEST (digital): 12 Hour Shift

Brea Grant definitely shows chops here, and while it’s not particularly profound, 12 HOUR SHIFT is still a really great time

Jak Luke Sharp 9/12/20 Jak Luke Sharp 9/12/20

Waiting for the Barbarians

To put in bluntly, Guerra's Waiting for the Barbarians is flat style with zero substance

Carson Timar 9/12/20 Carson Timar 9/12/20

All In: The Fight for Democracy

All In: The Fight for Democracy is yet another film on the long list of documentaries that is making 2020 one of the strongest years for the genre in recent memory

Jak Luke Sharp 9/12/20 Jak Luke Sharp 9/12/20

VENICE 2020: The Best is Yet to Come

The Best is Yet to Come is a slow-burning and diluted venture that fails to be both enticing and engaging for its viewer

Jak Luke Sharp 9/12/20 Jak Luke Sharp 9/12/20

VENICE 2020: The Ties

The final product – while not a disaster – does nothing to particular craft a deeply engaging or potentially astonishing piece of cinema

Jacob Allen 9/11/20 Jacob Allen 9/11/20

The Devil All The Time

How the story of this giant ensemble comes together is just like the narrator says: dumb luck or God’s doing

Alina Faulds 9/11/20 Alina Faulds 9/11/20

TIFF 2020: One Night in Miami..

Regina King skillfully extracts impeccable performances from each and every one of her leading men

Jak Luke Sharp 9/11/20 Jak Luke Sharp 9/11/20

VENICE 2020: Honey Cigar

Honey Cigar is a multifaceted brooding pot of emotional conviction and allure

Carson Timar 9/11/20 Carson Timar 9/11/20

Sputnik

Sputnik easily goes down as one of the most well-crafted and rewarding thrillers of the year