AFI Docs 2021: President
President is an undeniably important film but simply isn’t an engaging film
CANNES 2021: La Traviata. My Brothers & I ‘Mes frères et moi’
A powerful and entertaining blast that showcases society's blemishes in a romp of affection
Awake
Awake plays like a convenient, coincidental collection of connect-the-dots plot points
Words Bubble Up Like Soda Pop
Words Bubble Up Like Soda Pop makes up for its lack of depth with an undeniable summer charm
ClapperCast - Episode 62: Cannes 2021 Reviews
On this special episode of ClapperCast, the team share the films they saw as part of the 2021 Cannes Film Festival and share their favorites from the fest!
CANNES 2021: The Worst Person in the World
The Worst Person In the World will stand as a masterwork in Joachim Trier’s filmography
CANNES 2021: La Civil
La Civil is a fantastic, emotionally brooding piece of drama
Following The Awards Season 2021/2022: Cannes Festival 2021
Carson Timar kicks off the Awards Season by analyzing the fallout from this year’s Cannes Festival
Space Jam: A New Legacy
Space Jam: A New Legacy is even more of a shameless exercise in corporatization than its predecessor
Old
Old is a highly bizarre film from M. Night Shyamalan that self-destructs on its own potential
THE VILLAGE: A Misunderstood Critique of the Upper Classes
In his latest essay, Jakub Flasz treats M. Night Shyamalan’s The Village as a satire on the upper-class privilege
THE VILLAGE: Using Fiction to Evade Reality
In his latest essay, Nicolo Grasso examines M. Night Shyamalan’s The Village as a study on the therapeutic use of escapism
AFI Docs 2021: Cusp
Cusp is a perfect example of when the fly on the wall style of documentary goes wrong
Pig
Pig is grounded in a stark and sometimes unforgiving reality
Fear Street Part 3: 1666
A bloody and cathartic conclusion to a tale of romance, class differences, and murder
The Uncut Gems Podcast - Episode 26: The Village
In this episode of The Uncut Gems Podcast we re-appraise M. Night Shyamalan’s The Village, the auteur’s allegedly first divisive outing
Cannes 2021: Cow
With no sincere substance and an outrageous running time of ninety-three minutes, Cow is a self-indulgent bore
Cannes 2021: Women Do Cry
A harrowing and often dark social call for change and understanding of the aids crisis and women's rights in Bulgaria
Cannes 2021: Cow
Andrea Arnold’s Cow is a rather mooooving experience that feels like a breath of fresh air for the genre.
ClapperCast - Episode 61: Loki, Gunpowder Milkshake, Fear Street, Space Jam: A New Legacy & 2021 Cannes Reactions
On this week of ClapperCast, the team reviews Marvel's Loki, Netflix's Fear Street, Gunpowder Milkshake, Space Jam: A New Legacy & give their reactions to the 2021 Cannes Film Festival!

