CANNES 2021: Invisible Demons
Invisible Demons forces the audience to accept the consequences of modern-day pollution and climate change becoming one of the most haunting films of the year
CANNES 2021: A Corsican Summer ‘I Comete’
A Corsican Summer becomes untenable to view in the self-indulgence of the mundane
CANNES 2021: Babi Yar. Context
Loznitsa film does an outstanding and incredibly tough job of showcasing this dark aspect of history in astonishingly enriching detail
Escape Room: Tournament of Champions
Escape Room: Tournament of Champions takes everything that worked in the original and improves on it tenfold
America - The Motion Picture
America: The Motion Picture is an abhorrent Netflix animated original that dares to chain itself to the word “comedy”
Lanksy
Lansky wades deep into the heart of the gangster drama and comes out with nothing unique
AFI Docs 2021: President
President is an undeniably important film but simply isn’t an engaging film
CANNES 2021: La Traviata. My Brothers & I ‘Mes frères et moi’
A powerful and entertaining blast that showcases society's blemishes in a romp of affection
Awake
Awake plays like a convenient, coincidental collection of connect-the-dots plot points
Words Bubble Up Like Soda Pop
Words Bubble Up Like Soda Pop makes up for its lack of depth with an undeniable summer charm
ClapperCast - Episode 62: Cannes 2021 Reviews
On this special episode of ClapperCast, the team share the films they saw as part of the 2021 Cannes Film Festival and share their favorites from the fest!
CANNES 2021: The Worst Person in the World
The Worst Person In the World will stand as a masterwork in Joachim Trier’s filmography
CANNES 2021: La Civil
La Civil is a fantastic, emotionally brooding piece of drama
Following The Awards Season 2021/2022: Cannes Festival 2021
Carson Timar kicks off the Awards Season by analyzing the fallout from this year’s Cannes Festival
Space Jam: A New Legacy
Space Jam: A New Legacy is even more of a shameless exercise in corporatization than its predecessor
Old
Old is a highly bizarre film from M. Night Shyamalan that self-destructs on its own potential
THE VILLAGE: A Misunderstood Critique of the Upper Classes
In his latest essay, Jakub Flasz treats M. Night Shyamalan’s The Village as a satire on the upper-class privilege
THE VILLAGE: Using Fiction to Evade Reality
In his latest essay, Nicolo Grasso examines M. Night Shyamalan’s The Village as a study on the therapeutic use of escapism
AFI Docs 2021: Cusp
Cusp is a perfect example of when the fly on the wall style of documentary goes wrong
Pig
Pig is grounded in a stark and sometimes unforgiving reality

