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TV, Review, Festival, Venice Nicolò Grasso 9/10/22 TV, Review, Festival, Venice Nicolò Grasso 9/10/22

Venice 2022: Copenhagen Cowboy

Copenhagen Cowboy is not as richly layered as Refn's longer Amazon Prime show, but it is way more fun and entertaining.

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Film, Review, Festival, Venice Nicolò Grasso 9/10/22 Film, Review, Festival, Venice Nicolò Grasso 9/10/22

Venice 2022: The Whale

The Whale is one of the most empathic and less cynical films to come from the United States in recent years.

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Podcast, The Uncut Gems Podcast Jakub Flasz 9/9/22 Podcast, The Uncut Gems Podcast Jakub Flasz 9/9/22

The Uncut Gems Podcast - Episode 85 (Freebie and the Bean)

In this episode of The Uncut Gems Podcast we are remembering James Caan by talking about the 1974 Freebie and the Bean

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Film, Review, Festival, Venice Nicolò Grasso 9/8/22 Film, Review, Festival, Venice Nicolò Grasso 9/8/22

Venice 2022: Blonde

Blonde will be easily picked away by vultures that see this as another lifeless attempt to capitalize on a dead celebrity’s fame. That could not be further from the truth.

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Film, Review, Festival, Venice Nicolò Grasso 9/8/22 Film, Review, Festival, Venice Nicolò Grasso 9/8/22

Venice 2022: The Son

The Son is a truly emotional film that will leave many speechless and teary-eyed by the end of it.

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Podcast, ClapperCast Carson Timar 9/7/22 Podcast, ClapperCast Carson Timar 9/7/22

ClapperCast - Episode 123: Barbarian, The Rings of Power, Love in the Villa & Folklore Horror

On this week of ClapperCast, the team reviews Barbarian, Love in the Villa, and the first two episodes of The Rings of Power before they continue their Road to Halloween series with reviews of The Blood on Satan's Claw, The Wicker Man, & Sleepy Hollow!

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Film, Review, Festival, Venice Nicolò Grasso 9/7/22 Film, Review, Festival, Venice Nicolò Grasso 9/7/22

Venice 2022: The Eternal Daughter

Joanna Hogg has made another brilliant piece of cinema, with Tilda Swinton proving once again that she is one of the all-time greatest performers.

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Film, Review, Festival, Venice Nicolò Grasso 9/7/22 Film, Review, Festival, Venice Nicolò Grasso 9/7/22

Venice 2022: Dead for a Dollar

Fans of Walter Hill might get a kick out of this homage that eerily rings as a final ride for the now-octogenarian director.

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Film, Review, Festival, Venice Nicolò Grasso 9/7/22 Film, Review, Festival, Venice Nicolò Grasso 9/7/22

Venice 2022: Padre Pio

There is no joy in writing it, but Padre Pio is one of the weakest films Ferrara has made in his entire career.

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Film, Review, Festival, Venice Ewan Gleadow 9/6/22 Film, Review, Festival, Venice Ewan Gleadow 9/6/22

Venice 2022: Don’t Worry Darling

Don’t Worry Darling is empty at the best of times.

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Film, Review, Festival, Venice Nicolò Grasso 9/6/22 Film, Review, Festival, Venice Nicolò Grasso 9/6/22

Venice 2022: Monica

Monica is a film best enjoyed with as few spoilers as possible. It is, after all, a real film: one that can only be savored and enjoyed to the fullest if experienced.

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Film, Review, Festival, Venice Nicolò Grasso 9/6/22 Film, Review, Festival, Venice Nicolò Grasso 9/6/22

Venice 2022: The Banshees of Inisherin

The Banshees of Inisherin is as good a dark comedy as they come nowadays.

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Film, Review, Festival, Venice Carson Timar 9/3/22 Film, Review, Festival, Venice Carson Timar 9/3/22

Venice 2022: Beating Sun

While Beating Sun has an authentic and meaningful heart, the final package is lacking

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Film, Review, Venice, Festival Ewan Gleadow 9/3/22 Film, Review, Venice, Festival Ewan Gleadow 9/3/22

Venice 2022: All the Beauty and the Bloodshed

All the Beauty and the Bloodshed cowers behind its emotional angle

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Venice, Film, Review, Festival Ewan Gleadow 9/3/22 Venice, Film, Review, Festival Ewan Gleadow 9/3/22

Venice 2022: TÁR

An exceptional discourse on how good artists handle their bad habits

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Film, Review Carson Timar 9/3/22 Film, Review Carson Timar 9/3/22

Summering

Summering embraces the highs and lows of childhood on screen unlike any other project in recent memory

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Film, Horror, Review Carson Timar 9/2/22 Film, Horror, Review Carson Timar 9/2/22

They/Them

They/Them on the outside might seem like it has the potential to be a fun queer slasher, but the reality is sadly much darker

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Film, Review, Festival, Venice Nicolò Grasso 9/2/22 Film, Review, Festival, Venice Nicolò Grasso 9/2/22

Venice 2022: Bones and All

Bones and All is a strong return to horror cinema for Luca Guadagnino, and Taylor Russell proves once again that she is one of the most fearless and captivating young performers working today.

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Podcast, The Uncut Gems Podcast Jakub Flasz 9/2/22 Podcast, The Uncut Gems Podcast Jakub Flasz 9/2/22

The Uncut Gems Podcast - Episode 84 (Paycheck)

In this episode of The Uncut Gems Podcast we are closing the books on A-Woo-Gust as we cash in our Paycheck

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Film, Review, Festival, Venice Nicolò Grasso 9/2/22 Film, Review, Festival, Venice Nicolò Grasso 9/2/22

Venice 2022: Un couple

Un couple is a feminist text through and through, and while it is undoubtedly slow to the point of boredom of many, it is a stark reminder that, sadly, topics like women’s rights and abuse from the patriarchy will never go away easily.

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