Death by Adaptation Podcast - Episode 23: Blonde (2022)
In this episode of Death by Adaptation Podcast we compare and contrast the Marilyn Monroe fiction book, Blonde, by Joyce Carol Oates, with the 2022 Andrew Dominik adaptation.
The Uncut Gems Podcast - Episode 86 (The Gambler)
In this episode of The Uncut Gems Podcast we are talking about another 1974 James Caan classic, The Gambler
ClapperCast - Episode 124: Pinocchio, Low Life, & Animals Attack Horror
On this week of ClapperCast, the team reviews Disney+'s Pinocchio and Low Life before they continue their Road to Halloween series with reviews of Roar, Arachnophobia, & Brotherhood of the Wolf!
Venice 2022: Master Gardener
Master Gardener is Schrader’s Cry Macho.
Venice 2022: Pearl
Nearly perfect in its presentation and with a powerhouse performance by Goth, Pearl really only loses points because of its rushed nature.
Venice 2022: Copenhagen Cowboy
Copenhagen Cowboy is not as richly layered as Refn's longer Amazon Prime show, but it is way more fun and entertaining.
Venice 2022: The Whale
The Whale is one of the most empathic and less cynical films to come from the United States in recent years.
The Uncut Gems Podcast - Episode 85 (Freebie and the Bean)
In this episode of The Uncut Gems Podcast we are remembering James Caan by talking about the 1974 Freebie and the Bean
Venice 2022: Blonde
Blonde will be easily picked away by vultures that see this as another lifeless attempt to capitalize on a dead celebrity’s fame. That could not be further from the truth.
Venice 2022: The Son
The Son is a truly emotional film that will leave many speechless and teary-eyed by the end of it.
ClapperCast - Episode 123: Barbarian, The Rings of Power, Love in the Villa & Folklore Horror
On this week of ClapperCast, the team reviews Barbarian, Love in the Villa, and the first two episodes of The Rings of Power before they continue their Road to Halloween series with reviews of The Blood on Satan's Claw, The Wicker Man, & Sleepy Hollow!
Venice 2022: The Eternal Daughter
Joanna Hogg has made another brilliant piece of cinema, with Tilda Swinton proving once again that she is one of the all-time greatest performers.
Venice 2022: Dead for a Dollar
Fans of Walter Hill might get a kick out of this homage that eerily rings as a final ride for the now-octogenarian director.
Venice 2022: Padre Pio
There is no joy in writing it, but Padre Pio is one of the weakest films Ferrara has made in his entire career.
Venice 2022: Don’t Worry Darling
Don’t Worry Darling is empty at the best of times.
Venice 2022: Monica
Monica is a film best enjoyed with as few spoilers as possible. It is, after all, a real film: one that can only be savored and enjoyed to the fullest if experienced.
Venice 2022: The Banshees of Inisherin
The Banshees of Inisherin is as good a dark comedy as they come nowadays.
Venice 2022: Beating Sun
While Beating Sun has an authentic and meaningful heart, the final package is lacking
Venice 2022: All the Beauty and the Bloodshed
All the Beauty and the Bloodshed cowers behind its emotional angle
Venice 2022: TÁR
An exceptional discourse on how good artists handle their bad habits

