Andy Harrison 4/24/20 Andy Harrison 4/24/20

SXSW 2020 - We Are As Gods

Jason Sussberg and David Alvarado’s documentary We Are As Gods is an impressive and varied biography of writer and controversial environmentalist Stewart Brand

Hillary White 4/23/20 Hillary White 4/23/20

BERLINALE 2020 - The Trouble With Being Born

The Trouble with Being Born is both a familiar but challenging watch

Omar Franini 4/20/20 Omar Franini 4/20/20

IFFR 2020 - Liberté (Freedom)

Liberté is a wild yet fascinating experience

Pete Wall 4/19/20 Pete Wall 4/19/20

SXSW 2020 - The Dilemma of Desire

Finitzo’s documentary silences the sniggering and compels action

Jak Luke Sharp 4/17/20 Jak Luke Sharp 4/17/20

CPH:DOX 2020 - We Hold the Line

We Hold the Line brings the frightening attack on the free press from Filipino president Rodrigo Duterte to the forefront in for, mostly, a strong documentary

Sumer Singh 4/17/20 Sumer Singh 4/17/20

IFFR 2020 - Jeedar el sot (All This Victory)

Despite the brilliance in its creative efforts, the lack of the right tools and talent for the technical aspects does All This Victory more harm than good

Paul Price 4/13/20 Paul Price 4/13/20

SXSW 2020 - The Boy Who Sold The World

A fun look behind-the-scenes at the early days of a start-up with the added spectacle of a 16-year-old at the head

Kevin Whyte 4/12/20 Kevin Whyte 4/12/20

CELL ADORE FILM FESTIVAL - See You Again

Jayne Slater’s debut short, See You Again, is a more melancholic work than a simple spooky ghost story

Kevin Whyte 4/12/20 Kevin Whyte 4/12/20

CELL ADORE FILM FESTIVAL - When We Were Foxes

Writer/director Anthony Hett’s When We Were Foxes is a poetic short

Kevin Whyte 4/12/20 Kevin Whyte 4/12/20

CELL ADORE FILM FEST - Out on a Limb

Out on a Limb is a short, inspiring and delightful look at three men who refuse to allow their disabilities to prevent them from experiencing the world

Kevin Whyte 4/12/20 Kevin Whyte 4/12/20

CELL ADORE FILM FEST - Percentile

Percentile is a smartly done, post-apocalyptic survival film that’s heightened thanks to Adan Osborne’s calm narration and Jim Topliss’s cinematography